In week 2 we looked at composition and perspective. Composition is the artistic arrangement of the parts of a picture, and perspective is the technique of creating an illusion of depth and space (three-dimensional) on a flat surface (two-dimensional). These aspects are very important in animation as it can make a scene more realistic and logically correct. I was given exercises to practice this fundamental before I continue with my homework. I was to take multiple photos with composition and perspective in mind. These include rule of thirds, symmetry, geometric views etc. Taking these photos had shown me that there is infinite perspectives around you and that there is composition in everything you see and use.
Source: Week 2, Lecture, Composition and Perspective, Lecture – composition and perspective part 1, 2.mp4
I made use of the rule of thirds grid to take my photos. This helped me compose them into different views, such as: my dog, Lexi on the right takes up majority of the bottom space of the image, making it the most noticeable object.
I took notice of symmetry and geometric views too. when taking images of my flat room, I noticed how its mostly made up of squares and rectangles – which represents an unnatural, manmade environment, or stability and strength. This realisation helps me understand the kind of views that are portrayed in movies – I can point out these views more easily now that I have acknowledged them.
Source: Exercise 1, 2, 3.mp4
For homework, we picked out three of our favourite animations, and drew one, two and three-point perspectives over the suitable screenshots.
I drew one-point perspective line-work over a shot from Moana. It’s easy to point out the view from the back of Moana in comparison to the view Moana sees of the sea. It’s also a nice visual of where Moana is right now, to where she wants to be.
I drew two-point perspective line-work over a shot from Spiderman-Into the Spider-verse. It was quite hard to get an idea of how this perspective worked as its shot from a low birds-eye view, though I managed to capture the building, path and road in the perspective lines. It’s a very quick shot in the movie but so much is happening in it. Etc. the crowds, the traffic, the lights.
I drew three-point perspective line-work over a shot from Kipo and the Age of Wonderbeasts. This was also difficult capturing in perspective but I managed to get an overall idea of it. It’s a really nice framed shot using all basic shapes. Circle for the moon, square for the lorry, triangle for the tower.