Coloured paper pieces on an A2 sheet of paper, made using various cutouts of two previous life drawings of different scales and sizes. Parts of the paper were folded to provide a texture and 3D aspect to the piecePage of pieces, traced from the artwork below, to be cut outPen and charcoal on A3 paper. The piece traced to produce the pieces abovePage of pieces, traced from the artwork below, to be cut outPen on A3 paper. The piece traced to produce the pieces above
Willow charcoal on A3 paper. Five 2-minute drawings of the live modelWillow charcoal on A3 paper. Ten 1 minute drawings of the live modelBlack and white chalk on A3 sugar paper. Two 10-minute drawings of the model focusing on toneA zoom-in of one of the 10-minute drawings focusing on toneA zoom-in of one of the 10-minute drawings focusing on toneBlack and white chalk on A3 paper. Two 10-minute drawings of the model focusing on toneA zoom-in of one of the 10-minute drawings focusing on toneA zoom-in of one of the 10-minute drawings focusing on toneWillow charcoal, black and white chalk on A3 sugar paper. A 30-minute drawing of the modelsPen on A3 paper. Five 2-minute drawings of the modelpen on A3 paper. Ten 1 minute drawings of the live modelPen and pencil on A3 paper. A study to bring together the aspects of tone and form learned throughout this workshopPen and charcoal on A3 paper. A study to bring together the aspects of tone and form learned throughout this workshop
Willow charcoal on A3 paper to make use of negative space in order to illustrate the lady carrying sticksWillow charcoal on A3 paper showing a 2-minute drawing (left) and a 5-minute drawing (right) of the lady carrying sticksOnly using the side of wIllow charcoal on A3 paper to illustrate the lady carrying sticksWillow charcoal on A3 paper while not looking at the said paper in order to illustrate the lady carrying sticksWillow charcoal on A3 paper. My classmate first illustrated their view of the lady carrying sticks before I also sketched my own perspective of the artwork on topWillow charcoal on A3 paperWillow charcoal on A3 paper to illustrate the piece named “Dead Dad”Willow charcoal on A3 paper. A study of drawing the figure by dividing up the page into 8 spaces, a heads width eachWillow charcoal on A3 paper. A study of drawing the figure by dividing up the page into 8 spaces, a heads width eachSoft pastel on A3 sugar paper. A study focusing more on colour and adding the idea of a mirror into the image to illustrate that the subject may be deep in thought or looking back on something
soft pastel on paper to show various perspectives of Victorian greenhouse (each piece is A5 sizing)A far perspective was done in soft pastel on paperA far perspective was done in soft pastel on paperA far perspective was done in soft pastel on paperA medium-distance perspective was done in soft pastel on paperA medium-distance perspective was done in soft pastel on paperA medium-distance perspective was done in soft pastel on paperA close-distance perspective was done in soft pastel on paperA close-distance perspective was done in a limited palette of one colour using soft pastel on paperA panoramic view across the entire spread of paper in soft pastelA quick 5-minute sketch using the side of willow charcoal on a thin strip of paperA quick 5-minute sketch using willow charcoal on a thin strip of paperA panoramic view across the entire spread of paper in willow charcoalWillow charcoal on paper to show various perspectives of the greenhouse (each piece is A5 sizing)A far perspective was done in willow charcoal on paperA far perspective was done in willow charcoal on paperA piece of tracing paper is added over the above work to add another component to the studyA far perspective was done in willow charcoal on paperA medium-distance perspective was done in willow charcoal on paperA medium-distance perspective was done in willow charcoal on paperA medium-distance perspective was done in willow charcoal on paperA close-distance perspective was done in willow charcoal on paperAn extreme close-distance perspective of a leaf was done in willow charcoal on paper
pencil, pen, and marker on A4 paper. Various thumbnails and quick sketches about my classmate’s interests, favourite items, and name meanings. A colour palette was also exploredOne thumbnail was repeated in a more detailed manner to plan out colour placement and shape placementMusic-my classmate enjoys listening to musicAn alternative version of music-featuring genres of music liked by my classmate, including indie, metal, and classicalHome-my classmate enjoys spending time at home and is currently staying home for this university yearCar/driving-my classmate is able to driveAutumn-my classmate’s favourite seasonA different version of AutumnBallet-pre-covid my classmate used to do ballet alongside other sportsA Hyrbid Tea Rose-associated with the name of my classmate (Sarah)Princess/noblewoman-the meaning of my classmate’s name (Sarah)
Pencil on A4 paper. Simple, quick sketches of various things in viewPencil on A4 paper. Simple quick sketches of various objects within view but without looking at the pagePencil and pen on A3 paper. Simple quick sketches of various objects within view but without looking at the page. While the three drawings on the bottom of the page were done without moving the pencil/pen and instead only moving the paper itselfPencil on A3 paper to show a more detailed 30-minute drawingPencil on A3 paper. A 30 minute drawing where I focused on blocking out shapes from which I could create a wire constructionVarious sketches to use as blueprints for wire constructions
Pencil, watercolour, and pen were used to create a study of one-point perspective on A4 paper. Close-ups are shown belowA close up of pencil on A4 paper. As the image moves further away, less detail is usedA close up of pencil on A4 paper. No shading is used to focus on the perspective of the shapes in the imageA close up of watercolour and pen on A4 paper. Once the shapes and shading were done then colour was added into the image to bring it to lifeSoft pastel and chalk were used to create a study of a one-point perspective on an A4 black cardSoft pastels on A4 paper used to illustrate perspective as the colours become less bold and in focus the further away the image getspencil and soft pastel on A4 paper to show a study of perspectives. A close up in shown belowA limited palette of soft pastel on A4 paperwhite chalk and charcoal on A3 paper to show a study of one-point perspectivesacyrlic paint applied only using a palette knife on A3 paper to show a study of a one-point perspective. A close up is shown belowA close up of acylic paint on A3 paper
Page of multiple prints on A4 paper using different objects and acrylic paint as well as charcoal (second from the top on the right side print) as shown in the following collection of pictures.Tool for the third print from the top right of Page oneTool for the print at the bottom left and right of Page oneTool for the third print from the top left of Page oneTool for the print on the top left of Page oneTool for the second print from the top left of Page oneTool for the print on the top right of Page oneTool for the second print from the top right of Page oneAcrylic paint on A4 paper to make marks using an extraction tube stand from a Covid testing kit as shown belowBottom side of the toolThe top side of the toolAcrylic paint on A4 paper to make marks using a bottle cap which is shown belowBottle capAcrylic paint on A4 paper to make marks using a long piece of ribbon which is shown belowRibbonAcrylic paint on A4 paper to make marks using a plastic bag which is shown belowPart of the plastic bag that was pressed onto pagePart of the plastic bag that was pulled along the pageAcrylic paint on A4 paper to make marks using a broken stem which is shown belowA snapped stemAcrylic paint on A5 card to make marks using a flower head which is shown belowA homemade brush using sticks, thread, and flower headsAcrylic paint on A5 card to make marks using a pine cone which is shown belowPine coneAcrylic paint on A5 card to make marks using a coffee stirring stick (which is shown below) before the page was folded in halfCoffee stirring stickAcrylic paint on A4 paper to make marks using a piece of foam with pre-made holes in it which is shown belowPiece of foam with pre-made holes
