The world of animation – reflection

1000 reflection

This semester we have looked at the World of Animation and in particular how editing, colour, sound/music and framing all contribute to enhancing the film and fully immersing the audience/viewer in the film in a holistic way.  Each week we learnt how a different aspect of film making helps to contribute to the overall immersive experience of watching a film to an audience.

For the first couple of weeks we had lectures to teach and highlight how we were going to go about analysing film. Week 1 we had an introduction to the module, where we learnt what the course entailed.

We watched 3 short films together as a class.  These were ‘Whiplash (2014) by Damien Chazelle, Isle of Dogs (2018) by Wes Anderson, and Sandman (1991) by Paul Berry.  These films are all very different genres and were shown them because of their differences and their ability to highlight how film techniques such as sound, colour, editing and framing all help tell the story.

During week 2 we had a lecture on cinematography & mise-en-scene.  Cinematography is art and technology behind film making.  This includes the use of lighting, camera settings, filters, blocking, dynamic angles, movement and colour and general composition of a scene.  Mine-en-scene is anything that is in front of the camera lens including the light, colour and actors too.  Cinematography and setting the scene are a vital part of film making and help the audience to fully engage themselves in the film and bring to life acting and words through the lens.  Cinematography allows the audience to understand their placement within the filmic world.

Over the course of week 3 we had a lectures on sound & editing. We learned about diegetic and non-diegetic sound.  Diegetic sound refers to sounds that exists within the film world’s logic.  It can be onscreen or happen off screen but always happens when the action takes place. Eg, when a bullet fires from a gun, you will hear the sound.  Non-diegetic sound  refers to sound that we as the audience can hear, but that is not taking place within the world of the  film itself, for example, background, scary music that alerts the audience that something is about to happen, but the character in the film would not be aware off.  We learnt about sound design, sound mixing, (theory of editing) classical continuity, soviet montage, (temporal logic) the logic of time and (continuity editing) intercutting and match-of action.  The use of sounds/music in crucial to the filmmaking process. All of these aforementioned techniques and strategies have a huge impact on the film’s audience as well as on the underlying storytelling of the film.

In week 4 we were placed into different groups for the assessment.   Our assignment was to produce a presentation to analyse an animated short film. This presentation was to be under 10 minutes and was to be done within a group setting. 

At first, I was worried to work in the group chosen for me as there was a high chance I’d would be working in a group with people I had yet to met. I was put into group 5 with Chris, Ellen and Zoe who I hadn’t met yet. However, once everyone had gotten into their groups and had a team building exercise within the class to help us to get used to working with each other, I felt more relaxed and comfortable and it was actually good to work with people I didn’t know. Once the team building was completed every group was then each assigned a short animated film to analyse. Group 5 were assigned the short film called ‘ Nodding off’.

After the class was over we all agreed to make a discord chat to later discuss how we were going to analyse our short animated film. The next day we quickly got around to sorting out everyone’s part in the group presentation. We decided to break the assignment into 4 areas with each of us to analyse a specific area.  The areas that we broke the film into were – colour/atmosphere, editing, sound and framing/camerawork. We  each picked one topic to make notes on. Chris did sound, Ellen did framing/camerawork, Zoe did editing and I did colour/atmosphere.

I enjoyed doing research on colour theory in film. I researched a few websites about colour theory and took down some notes.  I also watch several YouTube videos explaining colour theory.  This I found much easier to learn from as I am very dyslexic and it is easier to watch a video and learn than to read.  

My experience in working with Chris, Ellen and Zoe was very positive.   We all kept each other up to date and informed. This happened every time someone added or edited notes.  Everyone worked well together and pulled their own weight. I also felt that everyone had done a good amount of research and had a good understanding of what it was they were researching.  There is always room for improvement and If I was to do this again I would try to write more on atmosphere and how the colour impacts the viewer.

Week 5- 3D previs

During week five I have been working on the 3D previs for next’s weeks presentation.

I’m getting a feel for how the camerawork should be done in the final 30 second short as-well as the timing and animation of the ghosts.

This is my first 3D previous for camera work however, I don’t love it plus I didn’t get the timing correct.

This is my second attempt at the 3D previs which I am much happier with.

The timing still needs to be worked on but it’s much better than before.

Nodding off-film analysis

For this class, The World of Animation, we have been split up  into groups of 4 to analyse a short film. I was put into group 5 along with Ellen, Chris and Zoe. We have been given the short film nodding off by Kailey Choi.

  

After all the groups were assigned, our group made a ‘discord group’ chat to discus how we were going to go about analysing the short, after a bit of discussion we split out the analysing into 4 section.

The sections we decided to work on are colour/atmosphere, editing, sound and framing/camerawork. We each picked which topic we were going to make notes on.

These are the topics we picked.

I was assigned to analyise the use  of colour and atmosphere in the film. I did some research on colour theory in film and wrote down some notes on the subject.


I made a PowerPoint for the group and enable it so everyone can edited on their own time.

My first slide I wrote about how colour theory is used in film to create an effective story.

In my next slide I used the information I did research on and applied it to the short film nodding off and their use of colour. The colours used are warm sunset colours.  Oranges, ochres and taupes.  These colours are used to reflect the time of day of the film – it is sunset and helps to convey the mood of the main character, the driver.  He is tired when driving and clearly struggling to stay awake which lends into the shenanigans of the short.

The use of the colour yellow here could reflect the madness of the short film. The use of the colour red here could convey the incoming danger not just with the incoming car but the danger with the rest of the animation.

As they go into the tunnel the colours get darker, this implies more incoming danger.

The colours we can see here shows that this short takes place in golden hour, sunset. Again, reinforcing the notion of why the driver is so tired after a long day.

Good filmography uses the 60-30-10 rule in how they go about using colouring in film.

The 60-30-10 is a rule to help create a colour palette for a space. 60% of the scene should be a dominate colour, 30% is a secondary colour and the last 10% is an accent colour. 

References- 

Videos:

Color Theory and Wes Anderson’s Style — Sad Characters in a Colorful World 

Color Theory in Film — Color Psychology for Directors: Ep5 

Color In Storytelling | Aesthetic Film & Animation Montage [Over 50 films] 

Joker Cinematographer Explains The Impact of Color in Film | Vanity Fair 

LIGHTING CHARACTERS FOR ANIMATION 

Understanding Color 

Using Colour To Tell A Story In Film – at 6:40 

Why are Films Shot in Two Colors? 

Why Great Movies use the 60-30- 

Websites:

https://digitalsynopsis.com/design/film-movies-color-psychology/ 

https://nofilmschool.com/Film-color-theory-and-color-schemes 

https://www.masterclass.com/articles/how-to-create-a-film-color-palette